What movements would you keep if motion became a problem, an objective, a struggle requiring your undivided attention? Following on from L’ ge d’or produced with children with motor neurone disease, Forme(s) de vie offers a new way of dancing together around the question of the necessity for gesture. Next to the human prosthetics embodied by the dancers, an ex-boxer and a former dancer will make the connection with their friends on the screen and reconnect with practices that have never really been abandoned, reinventing them to resist the loss of movement.
Aloun Marchal is a French choreographic artist living in Goteborg, Sweden. Forme(s) de vie is the second project with Age d'or, where Eric and Aloun jointly guide the choreographic process.
Former journalist and art critic Marine Relinger has been dramaturge of the Shonen projects since 2017. She is also directing a creative documentary on the dancer Elise Argaud, one of the performers in Forme(s) de vie.
MEETING with the artistic team on Thursday 17 June after the performance