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To celebrate the twenty years of the company, Israeli choreographer Noa Wertheim revives her emblematic creations in a powerful suite of vignettes, carved on the athletic bodies of her dancers.

To celebrate the twenty years of the company, Israeli choreographer Noa Wertheim revives her emblematic creations in a powerful suite of vignettes, carved on the athletic bodies of her dancers.

This duet does more than celebrate difference. It makes us forget physical challenges and invites the audience members to be moved by the fragility of bodies.

The South-African choreographer is used to mingling genres and materials. This time she delves into the art of falling, with two irresistible solos.

This duet does more than celebrate difference. It makes us forget physical challenges and invites the audience members to be moved by the fragility of bodies.

The South-African choreographer is used…

This programme, both innovating and surprising, mixes Emanuel Gat’s powerful dance and the urgency of the young dancers from the Colombian collective Carretel.

Saburo Teshigawara has always been fascinated by rebirths and has always focused on the fragility of the Universe and its breathing form, life.

Saburo Teshigawara has always been fascinated by rebirths and has always focused on the fragility of the Universe and its breathing form, life.

The puppets of the prestigious South African company give an unexpected twist to the fierceness of Alfred Jarry’s characters.

The puppets of the prestigious South African company give an unexpected twist to the fierceness of Alfred Jarry’s characters.

Badke is an anagram of dabke, named after a popular, festive dance practiced from Lebanon to Syria.

The puppets of the prestigious South African company give an unexpected twist to the fierceness of Alfred Jarry’s characters.

Badke is an anagram of dabke, named after a popular, festive dance practiced from Lebanon to Syria.

What do football and theatre have in commun? Seats? Audience members? Clappings? With this show, society, in constant search for new challenges, is after another kind of magic, whatever the score may be.

Black dance has witnessed until today the struggles of black minorities in America, from the times of slavery until Barack Obama’s inauguration party.

What do football and theatre have in commun? Seats? Audience members? Clappings? With this show, society, in constant search for new challenges, is after another kind of magic, whatever the score may be.

Black dance has witnessed until today the struggles of black minorities in America, from the times of slavery until Barack Obama’s inauguration party.

One of the most prestigious dance companies in the world comes back to Marseille with an exceptional programme.

Three years after the “Egyptian Spring”, the youth worries again when seeing conservative movements, relying on safety issues, grow and take over dictatorships.

Three years after the “Egyptian Spring”, the youth worries again when seeing conservative movements, relying on safety issues, grow and take over dictatorships.

This new programme is a dialogue between the American Richard Siegal’s finely-crafted dance and the swift style of Japanese choreographer Yasuyuki Endo, on the beat of Leonard Eto’s drums.

Columbian companies are rarely to be seen on European stages. Tino Fernández, settled in Bogotá, brings a solo, freely inspired from one of Francis Bacon’s studies.

Columbian companies are rarely to be seen on European stages. Tino Fernández, settled in Bogotá, brings a solo, freely inspired from one of Francis Bacon’s studies.

Columbian companies are rarely to be seen on European stages. Tino Fernández, settled in Bogotá, brings a solo, freely inspired from one of Francis Bacon’s studies.

Rocío Molina, the star of modern flamenco, comes back to Marseille with her new creation, with a sonorous and telluric poem challenging her outstanding ability to assimilate traditions even very remote from her art form.