This duet does more than celebrate difference. It makes us forget physical challenges and invites the audience members to be moved by the fragility of

The South-African choreographer is used to mingling genres and materials. This time she delves into the art of falling, with two irresistible solos.

This programme, both innovating and surprising, mixes Emanuel Gat’s powerful dance and the urgency of the young dancers from the Colombian collective Carretel.

Saburo Teshigawara has always been fascinated by rebirths and has always focused on the fragility of the Universe and its breathing form, life.

The puppets of the prestigious South African company give an unexpected twist to the fierceness of Alfred Jarry’s characters.

Badke is an anagram of dabke, named after a popular, festive dance practiced from Lebanon to Syria.

What do football and theatre have in commun? Seats? Audience members? Clappings? With this show, society, in constant search for new challenges, is after another

Black dance has witnessed until today the struggles of black minorities in America, from the times of slavery until Barack Obama’s inauguration party.

One of the most prestigious dance companies in the world comes back to Marseille with an exceptional programme.

Three years after the “Egyptian Spring”, the youth worries again when seeing conservative movements, relying on safety issues, grow and take over dictatorships.

This new programme is a dialogue between the American Richard Siegal’s finely-crafted dance and the swift style of Japanese choreographer Yasuyuki Endo, on the beat

Columbian companies are rarely to be seen on European stages. Tino Fernández, settled in Bogotá, brings a solo, freely inspired from one of Francis Bacon’s

Rocío Molina, the star of modern flamenco, comes back to Marseille with her new creation, with a sonorous and telluric poem challenging her outstanding ability